A couple years ago, I started using the Notepad app on my computer, to keep track of my daily to-do list.
As of today, the notepad file contains 3185 words.
I must be on my way to a nervous breakdown, right? Or at least adrenal burnout.
Actually, the truth is closer to this: I couldn’t help but expand The Slop in my life, and let it flow into what was supposed to be a simple, clear roadmap for my daily tasks.
Before I explain why, here’s a quick definition of The Slop:
The unbridled mass of notes and ideas I collect, for future writing.
I grow The Slop on notecards. On my old phone’s app for notetaking. On texts to myself, with my new phone. On Word documents. In notebooks I keep beside my desk and in my backpack. On the backs of receipts. On random pieces of paper that I somehow keep around.
The Slop even extends to open tabs on my computer. Bookmarks in books I haven’t touched in a few years. Swirls of ink on roughed-up notecards that I fish from pants pockets, after I unload them from the dryer. (I just assume those particular manifestations of The Slop were no longer relevant to my life.)
Here’s just one example, that I copied and pasted from my Notepad file:
IDEA: Relationship book: Interview people who are on their 5th marriage
Maybe you could take that idea and run with it? I’ll probably never get around to writing that book, in the form I wrote down. But I’m still glad I made a note of the idea, even in a file that was supposed to be for my schedule.
The Slop makes me a better writer. To be more accurate, it allows me to function as a writer, period. If you’re interested in a writing career or you want to enhance the creativity of your ideas, I suggest you embrace The Slop as well. Here’s how:
When you embrace The Slop, you create a personal environment similar to Steve Jobs’s idea of constructing workplaces where employees from separate departments run into each other, sparking creative breakthroughs. But instead of employees, you’re sparking synergy between your notes, insights, and ideas.
Steve Jobs understood interaction was mandatory. That’s why you can’t contain The Slop. There’s too much risk that your lone ideas will hide away forever.
At the same time, you must have at last one Oasis from The Slop, just as an effective workspace must include areas for undisturbed work. In my case, I can always close my notepad file and all other tabs, except for a single, blank Word document. This is my Oasis to create from the fodder I’ve collected and the synergy it generated. It’s where I form The Slop into Structure.
Now that I’ve done so with this formerly-blank page, I can dismiss the notes I wrote about The Slop on the 3×5 notecard in my right pocket. But I’ll still keep the card around, to make sure The Slop grows.
A few days ago, Early To Rise published my article on how I start my day with million-dollar copy already written.
Of course, I had to throw in a story about me scrambling through Manhattan to catch a train. But it all ties together.
If you’re thinking of starting a career as a writer… or if you’re frustrated with lack of consistency… definitely check out the above. This article alone, might turn things around for you.
While scrambling some eggs yesterday, I shook my head in frustration, bolted over to my computer, and began busting out this public service for anyone writing a book.
You need help. Your opening sentence is terrible. Chances are, nobody else will tell you. So I will.
Then read these two opening sentences and decide which is compelling… and which is boring as hell:
“We watched in horror as nine months of files began deleting themselves. The Toy Story sequel, which the world was already buzzing about in anticipation, was self-destructing… and we couldn’t stop it.”
“Every morning, as I walk into Pixar Animation Studios – past the twenty-foot-high sculpture of Luxo Jr., our friendly desk lamp mascot, through the double doors and into a spectacular glass-ceilinged atrium where a man-sized Buzz Lightyear and Woody, made entirely of Lego bricks, stand at attention, up the stairs past sketches and paintings of the characters that have populated our fourteen films – I am struck by the unique culture that defines this place.”
Here’s another pair:
“$700,000 gone in a whiff. Our client was furious. I was humiliated. Most CEOs, in this position, would publicly fire the employee responsible. I did something different.”
“When we are children, other people, typically our parents, guide us through our encounters with reality.”
Here’s what I did.
I took the opening sentences from Ed Catmull’s Creativity, Inc. and Ray Dalio’s Principles… and gave them a makeover. No, they’re not perfect. They could use a second set of eyes. As well as a fact-checker. But those are minor points compared to how I changed the tone of the opening.
Specifically, I used one of the most powerful techniques I’ve ever learned about the craft of writing, when it comes to opening sentences.
Call it the James Bond Technique.
I’ll get to the specifics of the technique in a moment.
First… how dare I critique the words of a self-made billionaire or the driving force behind one of the most successful film studios in history?
Because, apparently, nobody else did.
These two gentlemen, Ray Dalio and Ed Catmull, hammer home in their books how their companies’ success derived, in part, from honest feedback. Sometimes scathing, encouraging, specific or vague feedback… but always welcomed.
That dynamic disappeared when they scuttled off by themselves to pen their messages to the wider world. I can only guess, but I wonder if their own reputation harmed them. Perhaps their editors were afraid to throw their first drafts back in their faces and roar, “You lost me in the first paragraph!” Maybe the authors got solid feedback but ignored it. Or maybe some things just slipped through the cracks.
Either way, Ray Dalio and Ed Catmull had the opportunity to produce works on par with their previous careers. Instead… they wrote mere darn good books.
Perhaps the difference is dust mite-small…
… and I care only because I’m a writer who lives and dies by crafting pieces that get attention. I don’t get to say, “I’m Ray Dalio so slog through most of what I’ve written because the gems you learn will be worth it.”
The truth is closer to… I saw what could have been. Especially in Creativity Inc. Spoiler Alert: A rough, nearly-complete copy of Toy Story 2 was almost destroyed because of a technical glitch. The peeps at Pixar watched in real-time as it got erased, but salvaged a back-up copy stored on an employee’s personal laptop. When they transported the laptop back to the studio, they wrapped it in blankets, and all held it as they walked across the parking lot.
Guess when you read that incredible story? Not on page 1, where it belonged. Not on page 10 or even page 50. First, you must meander through Ed Catmull pointlessly recounting his schooling and job history before getting to anything approaching action or drama. And he made his dent in the world telling stories.
Look, I get that Ed Catmull was taking the reader through an opening montage much like a Pixar film, highlighting the various characters. The use of movement in the opening is good. But he buried the powerhouse opening. Something gripping.
Something that could have made his readers gasp.
I’ll stop picking on Ed Catmull. Instead, I’ll return briefly to Ray Dalio’s opening, simply to say it’s only one step above “Humans do things, often involving other humans and objects too. And stuff.”
Now the James Bond Technique.
Think about how James Bond films begin. 007 could be tracking a terrorist in the midst of a crowd watching a snake and mongoose duke it out… chasing a suspect through cavernous hallways in the middle of a desert town… or careening through traffic on a winding highway.
You may have zero clue what’s going on…
… but you’re hooked. And you’ll figure things out as they unfold.
The openings dive into the middle of the action. When you’re crafting an opening sentence and you’re in doubt – and you should always be in doubt – then defer to the James Bond Technique.
Start in the middle of the action.
At the height of tension. Get the reader hooked. Weave in the exposition from there.
Look through my other blog posts, to see how often I do it. Even here, I chose a scene of mild mental anguish from my life, rather than the more obvious “Here’s a trick to make your opening sentences more gripping…”
Special thanks to Sol Stein, author of Stein On Writing, for opening my eyes to how crucial first sentences are. He did a much better job describing the stakes, than I have.
I might keep calling out poor opening sentences, as a public service. It’s not just Ray Dalio or Ed Catmull who have eye-grabbing tales of struggle and triumph. Or James Bond, for that matter. Everyone who sits down with something to say, can harness a moment of pain from their lives to create interest, bonding, and facilitate the change they want to make in the world, with their writing.
Over 90% of copywriting books suck.
I’ve barely read any, but I’m going by Sturgeon’s Law. Here, I’ll save you a Google search:
In 1951, a science fiction author by the name of Theodore Sturgeon gave a talk at New York University. After he finished, some twerp student jumped up and declared…
“90% of science fiction is crud.”
To which Sturgeon paused… and replied…
“90% of everything is crud.”
Although it’s not crystal-clear if that’s the true origin story, it captures the spirit. Either way, Sturgeon’s Law was born. Cite it wisely.
Anyway, I’ve glanced through enough copywriting material to see it’s either a waste of time or flat-out dangerous. It might fill your head with flaccid ideas that limpify everything you put to pen.
I’ve been asked what copywriting books I recommend, and my answer has always been something along the lines of “None.” I learned from TheGaryHalbertLetter, which I consider a treasure – but not a book.
Recently, I read two books that changed my stance.
They are not directly related to copywriting. But you should read them anyway. Push them straight to the top of your reading list. In fact, after I’m finished, you should drive to the nearest bookstore, find them…
Plop your butt down and read them right in the store…
… and then purchase them.
If you’re a copywriter and you take advantage of the information in these two books, you won’t have to worry about money. You will rocket-launch past the competition from your fellow copywriters. After you produce a few pieces and the results come in, word will spread. Clients will approach you.
You’ll be able to work with the best people. You can travel for fun, and work on copy while you do it. You can provide for your family, in just the way you’ve been dreaming. You can prove to your friends – and enemies – that you truly are successful.
Bills? A mere trifle
Oh, and when you implement what you’ll discover, you can get these results while working a part-time schedule.
That should suffice as a preamble. Here’s the first book:
The ONE Thing: The Surprisingly Simple Truth Behind Extraordinary Results by Gary Keller and Jay Papasan.
It’s as if Gary and Jay woke up one day and decided to write a guidebook for how a copywriter should think about his or her craft. This book will show you how to harness your peak performance to produce copywriting magic. It will guide you on how to position your writing time within your workday. It will show you how to balance time dedicated to your craft compared to the rest of your work life. That part will surprise you.
Next book is Deep Work by Cal Newport.
This book holds the key to getting a wealthy payday while still working part-time hours. It also scientifically validates Gary Halbert’s infamous “slacking off” technique for producing breakthrough ideas. Finally, it exposes villains destroying your copywriting ability on a moment-by-moment basis.
Do not think you got the essence of these books just by my description. Or by reading reviews or summaries online. Yes, you can get the gist of both books by poking around. Get the books instead.
Let me ask you something…
Let’s say you write a salesletter consisting only of a benefit-driven headline for an expensive product. Will that cause the maximum conversation rate, when you advertise? Or does it require, perhaps, another 15 pages of copy before the prospect busts out the ole credit card and buys?
It’s the same with synthesizing new information and imbedding it deep into your brain. You need more than a brief online description. You need more than what I’m writing here. If you truly want to change your results, you’ll get the books and study them. The cases they make will boost your motivation, so you can take action.
And if you’re spurred by negative motivation, here’s a taste
A couple decades ago, businesses hired local writers for marketing and advertising.
Today, any company can hire anyone in the world with an internet connection.
How are you going to stand out? Your competition is no longer the guy down the street. Now it’s the planet.
As Cal Newport says on page 25 of Deep Work, “Once the talent market is made universally accessible, those at the peak of the market thrive while the rest suffer.”
Greater numbers of would-be copywriters are going to suffer.
If you can train yourself into superstardom, you can thrive more than ever.
Even better news:
The skills and systems taught in these two books can be used by anyone, and are actually more rare today than ever before. Seriously. The timing is perfect for you. If you take advantage.